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Write More, Blog Less

Thursday, January 05, 2006
Yes, this is it ladies and gentlemen.

I've decided to take a bow from blogging. Time is a precious commodity now that I have a baby. Sacrifices have to be made and my time has to be managed better. So, with deep regret, and after much umming and ahhing, I've decided to knock the blogging on the head so that I can dedicate my time to the more cost effective endeavor of writing screenplays and fiction.

Perhaps one day when I make it as a writer and have the luxury of giving up my day job I’ll start blogging again, but at the moment I simply can’t justify the time I spend (some might say waste) in the up keep of this site. I'm going to keep my fiction blog up and running and at some point hope to have some kind of presence on the web in the form of a website.

Thanks to all of you who've made blogging so enjoyable. I'll continue to read and comment on your blogs and wish you all the best of luck in your filmmaking ambitions.

Now, before I close the curtains, here’s how things stand for me going into 2006:

The Baby Boy: Nathan is doing great. I’m loving every minute of being a Dad. So far he hasn’t been too fussy at nights (although he’s had his moments) so I’ve been getting my requisite hours of sleep every night.

My wife Jess has been offered places at two medical schools: one in Toledo and one in Chicago. We’re weighing up our options but we have a bigger support network in Toledo with relatives, parents and what not, so unless I get a really well paid job with benefits in the next few months the chances are we’ll be moving back to Ohio. I love Chicago and will miss this town like crazy. After Jess graduates we plan on moving to LA.

Writing stuff: I’m half way through the first draft of my novel an absurdist comedy/crime story The George Madsen Story and hope to have that finished by the end of February.

My screenplay Autumn Twins (a dark teen/drama) is in the best state it’s been since it was optioned by Samson Films in the summer of 04’. I finished draft 3 in the Fall. The Irish Film Board are poring over it at the moment and debating whether or not to give us more money.

Last year a fellow film school grad and friend Nick Alhmark landed a development job at Leopard Films in the UK. He has a meeting with the UK Film Council on the 12th and has asked me to submit some outlines. I’m currently in the process of writing three for him. The first is an outline for the novel I’m writing (which I plan to adapt into a screenplay) the second is a children’s story which has been percolating in my mind for a few years now. The third is an outline for a Drama that I thought would be my next screenplay after Autumn Twins but never got round to writing.

Back in the Fall I did some polishing on Masahiro Sugano’s feature debut Second Moon which is in post-production as I write. His producers are hoping to sell the film on the festival circuit.

Earlier in the year I also started work on my first play, provisionally titled Adrian. I got about 30 pages in then got distracted. If I stay in Chicago I’ll definitely finish this one. You probably know that options for screenwriters are somewhat limited in this city but the theater scene is one of the most thriving in the country.

And that, as they say is that.

Good night and Good Luck...

He's Here!

Friday, December 16, 2005

Introducing: Nathan Robert Reynolds

Born: 12/12/05 at 17:45


Weight: 7 Pounds 9 Ounces


More Pictures of my Nephew George

Sunday, December 11, 2005
No, not my baby. Patiently waiting on that one. The due date came and went today. Jess is getting frustrated. I'm getting frustrated. Come on Nathan. Come out and join your cousin...



And the Winner isn't...

Wednesday, November 30, 2005
It's the final day of National Novel Writing Month and I'm not even close to 50,000 words. My final tally is something like 33,500 words.

I'm happy though because if I can maintain the same momentum I should have the first draft of a 80,000 word novel finished by the end of next month.

Having said that there'll be a newborn to consider by then, so we'll just have to wait and see...

Blog Review: Oblique Screenwriting Strategies

Wednesday, November 23, 2005
Who: Ismo Santala

Where: Oblique Screenwriting Strategies

I have to admit that I’m something of a skim reader. This is probably to my detriment. Writers should read carefully, should always be analyzing, deconstructing and figuring out what works and what doesn’t and why. Also to my detriment, you have to work very hard to keep me engaged. If I’m not engaged then I start to skim.

That was the case with Ismo Santala's Oblique Screenwriting Strategies. Despite its brilliant title I had absolutely no interest in the latest post, a link to an obit of critic Hugh Kenner so I skipped that and then came to a piece of fiction retelling the myth of Icarus that also failed to engage. That’s the bad stuff. I was judging the blog from the top down. The perils of blogging. You’re judged on your latest entries.

As I continued to read more I found myself enjoying Santala's journal posts on the process of screenwriting. I find this admirable. The last thing I want to do after a hard day’s writing is sit down and write about it. I particularly liked the small details he incorporated, which I’m sure frustrate all writers.
The need for the thesaurus: same words and phrases continue to populate the script. Naturally, same actions recur as well: walking, moving from point A to point B, opening and closing doors, dragging or grabbing someone or something...

Then I went back to the first entry of his blog (which he started this month) to reassess and make sure I wasn’t judging him too harshly. I’m glad I did.

I happen to be a great admirer of Alan Moore and so I was excited by the link to an interview with the great man at Engine Comics. I thought that Santala summed things up nicely in his post, since I was too lazy to read the whole interview.

His references are more obscure than those featured on the other screenwriter blogs I’ve come across. Refreshingly, he draws from artists in different mediums, usually in the form of quotes, links, his own reviews (Santala writes for Spike Magazine and The Modern World) and articles. I'm an avid consumer of inspirational quotes so by the time I was done he’d won me over. I won’t necessarily be adding him to my blog roll just yet (I can hear Ismo’s weeping from the other side of the scribosphere) but will continue visiting to see how his blog develops.

6/10

If you have a screenwriter blog and would like me to review it, then leave a comment below.

Novel Writing Day: 17

I hit the 30,000 word mark this afternoon, an achievement in itself. Despite reaching this milestone the well is drying up. The words are coming slow and I'm writing more crap than ever. I'm 9,000 odd words behind where I should be at this stage, so my work is going to be cut out for me.

Blog Review: Sam and Jim go to Hollywood

Tuesday, November 22, 2005
Who: Sam Ernst and Jim Dunn.


Rather than writing posts, Sam and Jim do this thing that's all the rage these days: podcasting. That means that their posts come in audio tidbits that you can download and listen to on your I-Pod or PC - in much the same way you might listen to a regular radio show.

You don’t need to know anything about podcasting to enjoy Sam and Jim's site. Just click on the podcast icon in each post and you’re away. I probably should have reviewed a regular text based blog first, but fuck it. If you're new to podcasting: here’s an introduction.

Sam and Jim were joint owners of two successful restaurants in St. Paul, Minnesota, and in the process of opening a third when they were each offered writing assistantships at Disney. The two men promptly uprooted their families and moved to LA to try their luck as TV writers (they now write for the movies too).

I listened to the first 3 podcasts (of which there are 13) and these are a must for anyone interested in moving to LA as a screenwriter. The two’s natural rapport as friends and co-writers, coupled with their down-to-earth style, makes for easy listening. The cliffhangers at the end of each episode keep you wanting to know more too.

I felt a twinge of jealously at how quickly they seemed to land cushy jobs at Disney and sold their scripts - but they seem like such decent, hardworking guys that it’s tough to hold a grudge for long.

8/10